“These fragments of tender parody are strange fruit in the psychological Canadian Space. Foreign to anecdote and petty lyricism they present abortive patriarchal/matriarchal figures and institutions who are generally “biding their time” until the coming of MARECHA, The formal barriers between genres having fallen a long time ago, this sample of texts is presented as poetry, Prose-poetry, whose traditions reach from Gilgamesh to Ginsberg and whose production has an important if not dominant role in Latin-American and French-American poetry, for example. That the author produced this work here is a matter of her geography, of course, but it connects with writing produced in other latitudes in a way still obscure to me.”

Jorge Etcheverry